Good movies can be silent, and the purely beautiful love story of a demented young man and a young girl with cerebral palsy is a better counterpoint to the distortions and prejudices of normal people. After taking the fall for his hit-and-run brother, Tadanori is released from prison and comes home alone in the cold winter day in his still summer clothes. Missing his family, he buys gifts for them, but is still disliked. Zhongdu's head was not very bright and it was hard to adapt to social life after spending a long time in prison, so even if he found a job, it ended in vain. It is hard to imagine how he could fall in love at first sight with a person who cannot even take care of herself. Her brother and sister-in-law, who used to live with Kyungsu, took over the apartment for the disabled and left her alone in a dilapidated old house, where she was taken care of by a neighbor. Once Tadanori finds out where the key to Kyungsu's house is hidden, he sneaks in and, probably because he is impulsive in the face of his beloved, he intends to rape her despite Kyungsu's resistance, but he accidentally knocks her out and scares her, causing Tadanori to splash her with cold water and run away. Love is something that always comes around the corner when you think it's over. A phone call late at night woke up Chung-du, and there was no sound on the other end of the line, but Chung-du was able to react instantly that it was the woman he had been thinking about. Love never runs in both directions, when two people are willing to take the initiative to extend their hands, then love does not come. They began to interact like a normal couple, shopping, eating, talking... On the subway, Gong-su saw a couple as intensely affectionate, the girl from time to time to take the empty mineral water bottle gently hit the boy's head, the two eyes are full of laughter, Gong-su is envious, at this time she imagined herself as a normal girl snuggled up to Chung-du's side, smiling sweetly at him, I can not help but sigh here Chung-du's vision is good, normal Gong-su is indeed very beautiful, just for the two of them their But in the eyes of the world, it is so monstrous and unbelievable, even full of hostility and ridicule. One day Zhong Du takes Gong Su to a restaurant for dinner, but the owner tells them that it's past dinner time and they don't offer a la carte food anymore.
He asked her what she wanted to eat, and she ordered the noodles that he loved. At that moment, he picked up a phone call, and Gong-su imagined herself as a normal woman again, playing with her beloved man and pampering him, and the picture was so beautiful that I couldn't help but wish that Gong-su was really a normal girl. Chungdu carefully feeds Kyungsu to eat fried noodles, and the time passes in a flash as the two talk about the day and eat. The traffic jam at the highway was so bad that he got out of the car and looked at the road, and probably because he was in a good mood, he couldn't help but take Kyungsu out of the car and turn up the music in the car and dance in the darkness of the night, ignoring the eyes of the bystanders. The two of them return home happily, and Chung-du chats with Gong-su, who points to the painting behind him called Oasis and says that she is afraid of the moving black shadows on it, but it turns out that the tall dead tree outside the window was shone by the moon and cast into Gong-su's room, and in order to make her less afraid, Chung-du quirks and says that he will give her magic to change all these shadows into nothing, and then his mouth is a series of funny made-up incantations When Kyungsu looks at the man in front of her, she feels hopelessly happy. The two of them become closer and closer, and Chung-du often comes to Gong-su's house to clean his room and do his laundry, while Gong-su talks to him next to him, living like a normal young couple. Chung-du loves this girl more and more, he dresses her up and plans to take her to his mother's birthday party, where all the relatives of the family are present, and Chung-du wants to introduce Gong-su to everyone. Finally, Chungdu's brother and younger brother finally couldn't stand it and called Chungdu out and asked him to send the girl with cerebral palsy back, but of course Chungdu wouldn't agree, and even brought Gong-su along in the final family photo, which his brother directly pushed aside.
Angry, Chung-du simply left without taking the picture himself and took Kyungsu with him. Even though Kyungsu is suffering from cerebral palsy, she was only prevented from moving, and she could also feel the aggravation she received at the family dinner. When Tadanori sends Gong-su home, music seems to be playing in the dark room, and an Indian child comes out of the room with flower petals in his hands, followed by a baby elephant, and then an Indian woman dancing behind her, and isn't this the character in the oasis in Gong-su's room? The two of them unconsciously kiss each other, just like in every romantic movie. Maybe Kyungsu feels that the crucial step has been reached, and she takes the initiative to propose the last step between man and woman, and naturally, Chungdu will not refuse. When his brother and sister-in-law suddenly come back and see them, they decide that Chung-du is raping Gong-su and call the police to bring him to the police station. Kyungsu's life seems to go back to the old days, listening to the radio in solitude, curling up under the covers at night in fear and watching the dark shadows swinging on the oasis, with no one to do magic for her anymore. But love can be brave and crazy, and Chung-du escapes from a prison visit, and at the expense of threatening to grab a cell phone to call Gong-su, he comes to Gong-su's downstairs and uses all his strength to cut down the tree branch that another Gong-su is afraid of. At the end of the movie, Tadanori writes a letter to Kyungsu with deep emotion. The movie has several illusions, perhaps to satisfy the audience's expectations of love, or perhaps to satisfy Gong-su's yearning for love. The love between the hero and heroine is full of realism, but the whole movie is penetrated by illusions with a sense of mystery, but the branch kicked down by Tadanori at the end makes the emotional power of realism break through the barrier of illusions and come rushing in.
Leave a comment